The Problem of the Sexy Cyborg: The Ethics of Cyborg Imagery
DOI:
https://doi.org/10.55613/jeet.v34i1.146Keywords:
Disability, Eugenics, Speculative Fiction, Media Studies, Cyborgs, Trope, Aesthetics, EthicsAbstract
In this article, I discuss two popular tropes about the cyborg in speculative fiction visual media: apotheosis — the pinnacle of human form and function; and grotesquerie — the violation of that perfection through fascinating horror. I look at these tropes in service of discussing the effects of such images and cultural understandings on actual cyborgs. The everyday or common cyborgs that are disabled people; the ones with prosthetics, who use wheelchairs, hearing aids, beta blockers, and Ritalin, who have artificial valves, knees, and pacemakers. I argue that the imagery of perfection and horror that surround cyborgs in media reinforce problematic tropes about disabled people, specifically the tropes of the super crip, pity, and bitter cripple narratives, and the ugly is evil trope where physical disfigurements and disabilities are often shorthand for moral failing. I connect these tropes to longstanding beliefs that were foundational to the eugenics movement of the 19th and 20th centuries, and that still cause resistance to robust social services for disabled people.
References
Bogdan, R. (1988). Freak Show: Presenting Human Oddities for Amusement and Profit. University of Chicago Press.
Brueck, H. (2019, November 21). Elon Musk said his brain chips might “solve” autism and schizophrenia. A neuroscientist who implants brain chips has doubts. Insider. https://www.insider.com/elon-musk-neuralink-wont-solve-autism-schizophrenia-2019-11
Cameron, J. (Director). (1984). The Terminator [Video recording].
Cameron, J. (Director). (1991). Terminator 2: Judgement Day [Video recording].
CD Projekt Red (Director). (2020). Cyberpunk 2077 [Video recording].
Clark, A. (2004). Natural-born Cyborgs: Minds, Technologies, and the Future of Human Intelligence. Oxford University Press.
Coogler, R. (Director). (2018). Black Panther [Video recording]. Marvel.
Dugas, J.-F. (Director). (2011). Deus Ex: Human Revolution [Video recording].
Garland-Thomson, R. (2009). Staring: How We Look. Oxford University Press.
Haraway, D. J. (1991). Simians, Cyborgs, and Women: The Reinvention of Nature. Taylor & Francis.
Herbert, F. (1965). Dune. Penguin Publishing Group.
Istvan, Z. (2015, April). In the Transhumanist Age, We Should Be Repairing Disabilities, Not Sidewalks. Motherboard. https://motherboard.vice.com/en_us/article/4x3pdm/in-the-transhumanist-age-we-should-be-repairing-disabilities-not-sidewalks
Jaki, R. (Director). (2022). Cyberpunk: Edgerunners [Broadcast]. Netflix.
Jemisin, N. K. (2018). How Long ’til Black Future Month?: Stories. Orbit.
Kishiro, Y. (1990). Battle Angel Alita. NA Viz Media.
Kurzweil, R. (1990). The age of intelligent machines. MIT press Cambridge.
Kurzweil, R. (2000). The age of spiritual machines: When computers exceed human intelligence. Penguin.
Kurzweil, R. (2005). The Singularity is Near: When Humans Transcend Biology. Penguin.
Kurzweil, R. (2013). How to Create a Mind: The Secret of Human Thought Revealed. Penguin Books.
Kurzweil, R. (2024). The Singularity Is Nearer: When We Merge with AI. Penguin Publishing Group.
Levy, R. (2022, December 6). Exclusive: Musk’s Neuralink faces federal probe, employee backlash over animal tests. Reuters. https://www.reuters.com/technology/musks-neuralink-faces-federal-probe-employee-backlash-over-animal-tests-2022-12-05/
Lynch, D. (Director). (1984). Dune [Video recording].
Merriman, H. (2016, February). The blind boy who learned to see with sound. BBC News. https://www.bbc.com/news/disability-35550768
Miller, T. (Director). (2019). Terminator: Dark Fate [Video recording].
Mostow, J. (Director). (2003). Terminator 3: Rise of the Machines [Video recording].
Oshii, M. (Director). (1995). Ghost in the Shell [Video recording].
Quigley, M., & Ayihongbe, S. (2018). Everyday Cyborgs: On Integrated Persons and Integrated Goods. Medical Law Review, 26(2), 276–308. https://doi.org/10.1093/medlaw/fwy003
Reddy, M. T. (1998). Invisibility/Hypervisibility: The Paradox of Normative Whiteness. Transformations: The Journal of Inclusive Scholarship and Pedagogy, 9(2), 55–64. JSTOR.
Rodriguez, R. (Director). (2019). Alita: Battle Angel [Video recording].
Rosenberger, R. (2017). Callous objects: Designs against the homeless. U of Minnesota Press.
Savulescu, J., & Kahane, G. (2009). The Moral Obligation to Create Children with the Best Chance of the Best Life. Bioethics, 23(5), 274–290.
Schalk, S. (2018). Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction. Duke University Press.
Schneider, S. (2019). Artificial You. Princeton University Press. https://doi.org/10.1515/9780691197777
Schweik, S. M. (2009). The Ugly Laws: Disability in Public. NYU Press.
Shelley, M. W. (1869). Frankenstein, or, The Modern Prometheus. Dent.
Shew, A. (2023). Against Technoableism: Rethinking Who Needs Improvement (A Norton Short). W. W. Norton.
Stamm, E. (2022). The Digital Image of Thought. La Deleuziana - Online Journal of Philosophy, 14.
Villeneuve, D. (Director). (2021). Dune, Part One [Video recording].
Weise, J. (2018, September). Common Cyborg. Granta. https://granta.com/common-cyborg/
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Joshua Earle
This work is licensed under a Creative Commons Attribution 4.0 International License.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International license (CC-BY 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are encouraged to post their work online (e.g., in institutional repositories or on their website) after publication, while providing bibliographic details that credit JEET (See The Effect of Open Access).